THE MAGIC
OF SCENIC FLIGHTS

Currently there is a specific regulation on prevention related to technical elements necessary for use in air shows. This regulation is included in BOE no. 15 (Section III, page 2801) published on January 16, 2016, under the name: "UNE 311001 Entertainment industry, rigging, manual flight systems for artists, general requirements." We are speakers and members of the 311 committee on the entertainment industry and we always work under these parameters. In addition, we take into account various regulations from European Community countries that have recommendations in the field of scenic flight safety and of which we have verified their compatibility with state regulations. At Accialt we have trained in the US with Hall Associates Flying Effects, we attend NAAFED retraining annually, expanding our training each year, as well as we collaborate with AERISC France and we are trained at the highest level by IRATA (International Rope Access Trade Association).

Yes. We have public liability insurance and provide a copy of our certificate to all clients who request it.

Yes. We have experience in flight effects in theatres and other types of spaces with low ceilings. Our systems are specially designed to be mounted in low-height spaces. As long as there is a structure where the systems can be anchored, a flight show can be held.

Yes. We can install both rigid guide systems and cable systems. Each location requires special considerations to take into account, so contacting us with enough time is the most important thing. We can always find a way to achieve what you imagine.

Yes. We have made flight effects with children as young as three years old.

We have achieved flights with performers weighting more than 150 kg. You should consider that the weight and measurements of the people making the flight directly influence the system that needs to be installed and the choreography. Typically, the usual weight in flight performers is around 60 kg or less.

We stock a wide range of harnesses designed and built by flight engineers who have been supplying harnesses for film, television and theatre for over 30 years. Our partners make these harnesses the most comfortable on the market, and are able to adjust the pressure points in the right places to best adapt to the needs of flight artists. The primary objective is the safety and comfort of the specialists and artists who trust us to be able to express themselves naturally.

We use cables of varying thicknesses depending on the weight that has to be flown. Extremely thin cables are what we use to make levitations for magicians and illusionists. There are key factors to consider when it comes to making the cables more or less visible: the background of the stage and the lighting. Being able to work together with the set designer and the lighting allows the cables to be inconspicuous.